Ôoku The Inner Chambers Vol 1 Fumi Yoshinaga 9781421527475 Books

Ôoku The Inner Chambers Vol 1 Fumi Yoshinaga 9781421527475 Books
Bottom Line First:Fumi Yoshinanga’s Ooku, the first installment of a Magna series is an interesting variation; a Japanese Samurai era, post-apocalyptic world where most, but not all of the male population has died off. It is beautiful to look at but the characters are stiff and the dialogue too formal. The emphasis is on the manners and styles of court life but no one ever seems to unbend. The response of the Japanese Empire to the sudden loss of males for leadership position creates some interesting role reversals as men are now mostly bought and sold for procreation and have taken over many female roles without completely losing their male characteristic. Yoshinanga deserves credit for creating a believable world and leaving the reader to grasp the philosophical implications of what could have been a hectoring tone on the unfair roles of women in modern times. I respect her artistry. I do not care about these characters. I do not plan to get more books in this series.
If you want to know who we are,
We are gentlemen of Japan:
On many a vase and jar —
On many a screen and fan,
We figure in lively paint:
Our attitude's queer and quaint —
You're wrong if you think it ain't
Ooooh!
From The Mikado, Gilbert adn Sullivan
Each page in Ooku contains one or more beautify, finely details images of courtly life in the Japanese feudalistic times. As is common in Japanese manga, smaller cartoonish drawing are used to denote characters over reacting or being childish. Usually this convention is just part of the experience for these books, but I found the convention jarring and disruptive of the aesthetic experience. This was the more unfortunate the characters were never that interesting.
Yunoshin is quickly established as our hero. Handsome, noble in heart, a skilled swordsman and kindly about sharing his bed with women who had neither the looks nor the money to otherwise have a chance at child bearing. His goal is to become one of the Men of the Inner Chamber (the Ooku) of Edo castle, the center of Japanese government.
Once there he will be at the bottom of a pecking order and exposed to the usual jealousies, hazing and the rest. He will of course catch the eye of the new and not bound by traditions, Shogun/Empress.
And so it goes. There is much intelligence applied to this world tilted against male dominance and yet not free of it. There are some sly insinuations about what is wrong or unfair in our world regarding male and female roles. There is much about this beautiful book that bespeaks a talented writer. The whole is not greater than the parts. Characters are too remote and conversation was too stylized. I never developed any interest in these people. Authentic or not, I enjoyed looking but not reading.

Tags : Ôoku: The Inner Chambers, Vol. 1 [Fumi Yoshinaga] on Amazon.com. *FREE* shipping on qualifying offers. R to L (Japanese Style). In Edo period Japan, a strange new disease called the Red Pox has begun to prey on the country's men. Within eighty years of the first outbreak,Fumi Yoshinaga,Ôoku: The Inner Chambers, Vol. 1,VIZ Media LLC,1421527472,Manga - Fantasy,Manga - Historical Fiction,Manga - Romance,Alternative histories (Fiction),Comic books, strips, etc - Japan,Graphic novels,Graphic novels - Japan,Graphic novels.,Harems - Japan,Japan - History - Tokugawa period, 1600-1868,Science fiction comic books, strips, etc,Sex role - Japan,Shoguns,COMICS & GRAPHIC NOVELS General,COMICS & GRAPHIC NOVELS Literary,COMICS & GRAPHIC NOVELS Manga Fantasy,COMICS & GRAPHIC NOVELS Manga Historical Fiction,COMICS & GRAPHIC NOVELS Manga Romance,Comics & Graphic Novels,Graphic Novels-Manga,Graphic novels: Manga,Science Fiction And Fantasy
Ôoku The Inner Chambers Vol 1 Fumi Yoshinaga 9781421527475 Books Reviews
I came across this series while looking online for a story about strong women for my daughter (young adult). I only bought the first two books to see if she would be interested in the story line, etc. She is really excited about seeing what happens next and is waiting impatiently for the other volumes to arrive, lol. I guess that's a "yes" to the story line. She said I did good. So we're both pleased with the purchase. It was intriguing to ponder the idea of a woman Shogun and apparently they've done well at weaving the tail thus far. The first two volumes have kept her interest. If anything goes foul after the next few, I'll post a review about it as well. But so far, so good.
This is a very, very good manga series.
I'm an avid comic reader and sometime manga reader. I'm not a manga fan-boy by any stretch but I've read enough and done enough research to get an idea of the range out there. I'd rank this one up there with Tezuka's best.
Very entertaining and interesting story from a dramatic and historic perspective. You get Japanese Edo period culture and history, a very good story and an abnormal level of "class" that you usually don't get in manga. That is to say, in an ongoing story that could have very easily turned to gratuitous sex or nudity, homophobia or homophobic stereotypes, there is none of that. To be sure, gender issues are explored but in an even-handed, non-exploitative way.
Also, there are very instances of the goofy "cutesy" manga/anime tropes are here. This isn't gekiga (alternative, art-house manga) but nearly. The art may not be up there with the very best of manga but it's certainly very good.
About the worst thing you could say about this manga--maybe it's only real typical manga-exploitative aspect--is that it's a more than $100 investment with at least 10 volumes expected.
Anyway, if you're curious about manga, start here.
Bottom Line First
Fumi Yoshinanga’s Ooku, the first installment of a Magna series is an interesting variation; a Japanese Samurai era, post-apocalyptic world where most, but not all of the male population has died off. It is beautiful to look at but the characters are stiff and the dialogue too formal. The emphasis is on the manners and styles of court life but no one ever seems to unbend. The response of the Japanese Empire to the sudden loss of males for leadership position creates some interesting role reversals as men are now mostly bought and sold for procreation and have taken over many female roles without completely losing their male characteristic. Yoshinanga deserves credit for creating a believable world and leaving the reader to grasp the philosophical implications of what could have been a hectoring tone on the unfair roles of women in modern times. I respect her artistry. I do not care about these characters. I do not plan to get more books in this series.
If you want to know who we are,
We are gentlemen of Japan
On many a vase and jar —
On many a screen and fan,
We figure in lively paint
Our attitude's queer and quaint —
You're wrong if you think it ain't
Ooooh!
From The Mikado, Gilbert adn Sullivan
Each page in Ooku contains one or more beautify, finely details images of courtly life in the Japanese feudalistic times. As is common in Japanese manga, smaller cartoonish drawing are used to denote characters over reacting or being childish. Usually this convention is just part of the experience for these books, but I found the convention jarring and disruptive of the aesthetic experience. This was the more unfortunate the characters were never that interesting.
Yunoshin is quickly established as our hero. Handsome, noble in heart, a skilled swordsman and kindly about sharing his bed with women who had neither the looks nor the money to otherwise have a chance at child bearing. His goal is to become one of the Men of the Inner Chamber (the Ooku) of Edo castle, the center of Japanese government.
Once there he will be at the bottom of a pecking order and exposed to the usual jealousies, hazing and the rest. He will of course catch the eye of the new and not bound by traditions, Shogun/Empress.
And so it goes. There is much intelligence applied to this world tilted against male dominance and yet not free of it. There are some sly insinuations about what is wrong or unfair in our world regarding male and female roles. There is much about this beautiful book that bespeaks a talented writer. The whole is not greater than the parts. Characters are too remote and conversation was too stylized. I never developed any interest in these people. Authentic or not, I enjoyed looking but not reading.

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